Played 52 times [Flash 9 is required to listen to audio.]
Disco Inferno “Over and Over” (Technicolour, 1996)
jontanner: (not me, Joseph Beuys) I’ve been pining after this book for a while now. I’ve always had a soft spot for Beuys. Most of these watercolors are monochrome earth tones. But it works. More of a focus on texture. And blood. Because Beuys didn’t fuck around about making his work personal. Anyway, there’s this quote by him on the back. It says: “There is an awful lot in them. So, for me they are an important element in my life.” Not my art. Not my work. My Life.

jontanner:

(not me, Joseph Beuys)

I’ve been pining after this book for a while now. I’ve always had a soft spot for Beuys.

Most of these watercolors are monochrome earth tones. But it works. More of a focus

on texture. And blood. Because Beuys didn’t fuck around about making his work personal.

Anyway, there’s this quote by him on the back. It says:

“There is an awful lot in them. So, for me they are an important element in my life.”

Not my art. Not my work. My Life.

Skeletal System, my new band, is making it’s stage debut tonight at the El Rio in San Francisco! Come on out if you’re in the Bay. (Photo takes you to the Deli SF article)
Skeletal System, my new band, is making it’s stage debut tonight at the El Rio in San Francisco! Come on out if you’re in the Bay. (Photo takes you to the Deli SF article)
Echo & The Bunnymen - The Cutter (Live) (via C3MC2)
Animal Collective is the real deal. Best concert I’ve seen in a long time.
“Everything is Dirt and all the Dirt is Beautiful” (UnderworldLive - Art)
“Everything is Dirt and all the Dirt is Beautiful” (UnderworldLive - Art)
jontanner: i think i’m going to do a series of chairs. then i’m going to do a cover for a late 90s trip-hop/lounge compilation.

jontanner:

i think i’m going to do a series of chairs.

then i’m going to do a cover for a late 90s trip-hop/lounge compilation.

“The relationship between the two musicians and the computer is an interactive one, with the computer changing the electronically produced harmonies in response to what the musicians play, and the musicians being influenced in their improvisation by what the computer does.”
David Behrman, who used a Kim-1 to listen to a flute and bassoon and then generate new sounds. (via the EMF Institute)
Played 39 times [Flash 9 is required to listen to audio.]
David Behrman “On the Other Ocean” (1977)
Played 44 times [Flash 9 is required to listen to audio.]

jontanner:

Robert Ashley. Automatic Writing.

this one always kind of gave me the creeps

but for some reason keeps coming back to me.

(i think it is because of how indirect it is)

(the sound of music in another room)

I had to pause it just to see if that was in the track! Sneaky.